Watercolour in Progress

Work in Progress, watercolour 30x42 cm Canson Montval, Cold Pressed/Fine Grain

Work in Progress, watercolour & graphite 30×42 cm
on Canson Montval, cold pressed/fine grain

Here’s a quick (read: low quality) snap of a piece I am currently working on for The Art Order’s latest challenge. Lots of swedish summertime themes coming through this one, and the tree and rocks from around where I live. I’m really happy with how it’s going – much better than my last large-scale watercolour attempt – but I’m now getting to the point where I’m increasingly wary of messing it up. I can feel that I’ve slowed down and become less adventurous. I still have about three weeks to finish it up, though, so there’s time to get wild and find out how far is “too far”!

Valkyrjan IV

18x30 cm, Sepia Ink on Watercolour Paper with digital colour.

18×30 cm, sepia ink on watercolour paper with digital colour.

This piece is my submission to ArtOrder’s November 2013 Inspiration Challenge. It hasn’t actually been easy to be inspired right now, as this is perhaps the least inspiring time of year here in Sweden. There also hasn’t been much spare time lately for a project like this, so I had to take a lot of short periods of time where I could find them.

I’d been working on this idea on and off since the second Northern Light Workshop, where I’d been trying an acrylic painting of this theme with varied results. Unsatisfied, I invited the gracious Elin Hökby to come back to the studio to help me with poses, and she was interested in the direction of the picture. With her help and support, I came up with enough material that I felt I could get the feeling I was after for the piece – a darker take on the valkyrie inspired by the rune stones I’d seen in Visby on Gotland.

Painting a valkyrie at Northern Light Workshop 2 in 2012.

I wanted to try the so-called “Rackham technique” I’d read about on William Stout’s blog (watercolour over warm-toned ink lines), and so I traced out my sketches on Canson Montval watercolour paper. I used a waterproof Faber-Castell sepia brush pen to ink the linework. I was sort of a nervous wreck doing this, but everything worked out. I was admiring the finished line art when I suddenly realised I’d left out a letter in the old norse translation. I sat there in shock for a while, trying to decide how to handle it. I was going to scan the linework before colouring it anyway, just in case, so I scanned it and fixed the mistake in Photoshop.

I printed out the artwork onto new sheets of the same watercolour paper, but somehow it just wasn’t the same anymore, and I was quite depressed about the whole situation. I finally decided to take the pressure off myself and just colour it digitally. I have a set of digital watercolour brushes created by Justin Gerard that I just love, so I felt better directly about this decision. I still want to try a proper test of the Rackham method, but it’ll have to wait until the next piece!

The finished sepia inking on "Valkyrjan IV".

The finished sepia inking on “Valkyrjan IV”.

From that point, things went well. Even though I set out on this piece with Arthur Rackham and John Bauer firmly in mind, when I look at the finished work, I see how much I’ve been influenced by Hasui Kawase in the colouring. I can even see Mucha and Moebius in there in places. All of our various  inspirations are whispering to us as we work, I suppose.

The text in the framing is a fragment of stanza 54 of Helgakviða Hundingsbana I in old norse, which I hope I’ve managed to translate (and spell!) correctly. It says approximately, “Down from the sky came maidens with shining helms…”. I wanted the overall tone to be a bit ominous, and to include the ravens, who are sometimes associated with valkyrie. Her garb is closer to actual viking styles, and she carries a saga-sized drinking horn!

I wonder what the judges of the challenge will think of it – it’s a powerhouse lineup of famous artists and art directors, so no pressure there. At any rate, I learned so much creating this, and I’m motivated to take things further next time – to have the courage to colour the entire piece with watercolours…

Prästinnan (work in progress)

"Prästinnan" - Work in progress 24x32 cm Watercolour on paper

“Prästinnan” – Work in progress
24×32 cm Watercolour on paper

I thought I’d post this crappy photo of a work in progress. This is another watercolour experiment using the new “All Terrain” set I bought from American Journey. I love this palette, and I’m having a lot of fun learning to use it. This is a portrait of a friend of a friend in her absolutely amazing warrior priestess live-action roleplay costume. What you can’t see here is the large wooden portable shrine she has strapped to the back of her plate armour! It’s not the best resemblance of Frida unfortunately, but other than that I’m generally happy with the way the picture’s working out. Really enjoying watercolours…

More Watercolour Experimentation…

"Jehanne with Apple Blossoms" Watercolour, work in progress.

“Jehanne with Apple Blossoms”
Watercolour, work in progress.

Here’s my second watercolour attempt, also very much in-progress. This image has been in the works since last summer, when I had a friend pose for the sketches for it. Here I’m building up many washes of very light tones, trying not to destroy the surface of the Canson paper too much as I go. I’m deliberately using a very narrow colour range so far, and it tends to vary between looking pretty good and going muddy, depending on the wash. I wanted to see how this technique feels to work in, and what kind of results I can get with it – it’s really different from how I tend to use acrylics. It’s been a real exercise in patience, waiting for each wash to fully dry!

Watercolour First Steps

Untitled work-in-progress. Watercolour & graphite, 24x32 cm.

Untitled work-in-progress. Watercolour & graphite, 24×32 cm.

Just thought I’d post a quick work-in-progress. This is my first serious attempt at full-sized watercolour painting. This composition was an unused idea for the ArtOrder Viking challenge, but I’d had the basic sketch around since last winter and always wanted to complete it somehow. I re-drew it on Canson Montval 300g and started in with the watercolours. It’s a very exciting media… it feels very wild to me here at the start and I have very little clue what I’m doing, but I’m really enjoying the challenge.